Tuesday, 30 October 2012

Flowers and egg, ideas


Andre Kertesz – Chez Mondrian Vase of Flowers
This week, you are required to shoot a colour or black and white photograph of a vase of flowers.
We will assess this image in critique on Tuesday 13th November 2012.
Shoot, edit and upload an image that represents a vase and flowers in a location or studio environment. Demonstrate an understanding of relevant theories mentioned in the presentation including macro, tripod use, colour temperature composition and exposure.

Richard Peregrine - so, black and white!
30/10/12 at 1 o' clock

Ideas for a location shoot;

On top of my drawers, clear anything un-needed that will clutter up the subject, try it with and without.

Windowsill with reflections. Of what?

Bathroom. (To represent people beautifying themselves as a flower) If I could get a good angle? On a chair in the bath? Abstract.

Surrounded by photo's of family life. On the floor.

Take a picture in the same location to show the decay, so would have to do the other ideas first and then set up the camera on a tripod in an out of the way place.

Used as a mask. By people in blackburn.

Looked up Still life Photography/still life photography artists:





Final image will be in a Negative format, so will need both dark flowers, also have a black and white umbrella that may look good. Inspired by the images above, I don't know how this effect was achieved but would like to see what happens in negative.



Friday, 26 October 2012

In situ lost and found

I noticed at work that there were a lot of shopping list, either left behind or lost so I thought i'd take a picture of a few that I had found for this project. 
The reason that caught my attention was the fact that quite a lot of them had booze written at the top of them, before anything else booze was the most important. 
It wasn't till later on that I discovered it all the same person as it's all the same hand writing. 

I found the one lonely peg just outside my house and it fit the bill for lost an found so I thought i'd use it.




Monday 22nd
Monday 22nd
Tues 23rd



Tues 23rd




14th Oct
Fri 26th

Wednesday, 24 October 2012

Seminar. Early cubist/Still life

Cubist- still life = Fruit, flowers, wine bottles, instruments, inanimate objects, parts of things, newspapers, fragmenting letters and dead nature.

The Unswept Room, c.200AD

The floor is filled with bones, leaves, fish shells, if it was today, what would you see?

Tricking the eye = trompe l'oeil

Which when looking, it up has been applied to wallpaper,


 





as this drawing was thousands of years ago.
Fresco found at Pompei c. 79AD

Juan Sanchez Cotan, 1600




Jan Davidsz de Heem, c.1640



Vanitas, c.1600

Picasso, Memento Mori, 1946



Hans Holbein, The Ambassadors, 1533









Rachel Ruysch c.1710










Fantin-Latour, The Rosy Wealth of June, 1886



























Ori Gersht

Ori Gersht, Blow-Up Untitled 5, 2007

























Anya Gallacio, Beauty, 2002

Gallacio, Dying Beauty















Blackburn hand in


Contacts
Contacts














Jennifer Nicholls

I worked with Debbie Rhodes and Kirsty Doran

As a group we explored the people of Blackburn, how to represent the style and culture of modern day life. Individually I wanted to learn more about Blackburn it's self as I'm not from here and would like to find out about the culture, so I chose to photograph the statues and sculptures.

I chose to stick to Blackburn town centre and to concentrate on the statues in the town, of which I only got 3 of but there are so much more.

I captured The mother and child statue at Cardwell place, the Grandma and child at the Boulevard and Queen Victoria.

  • The twelve pictures I have selected to represent Blackburn are Grandmothers perspective as it is unique view point of what I feel the sculpture is about. The focal point is the child’s hair but you can still tell that they are holding hands and what the child is reaching for.

  • Guy eating chips-2 is named so as I cropped the picture, the shot was taken candidly and Debbie had walked into the shot. The guy is sheltering from the rain under the arch of an old, shut down pub whilst on what, I assume, to be his dinner break. It seems like the guy has found a use for this abandoned, run down and forgotten about building in this overcast situation. It was suggested that the picture was over exposed so I auto corrected it on Lightroom.

  • Lonely guys, as this photo should be called shows how de-socialised people are becoming, the man at the forefront looked as though he had given up, really depressed and alone but I wasn’t able to capture that. I took this candidly but he was aware of us before I took this picture so I wasn’t able to capture the full extent of the emotion in his face. One thing that I do notice is that it is the old people that are sat on their own, even in the back ground there are two young girls interacting with each other and Via Mobile and an old lady sat next to them alone, also a young family, a dad walking with his daughter. When I showed this picture to the class it was suggested that the picture would be better if I took this from a lower angle and I am inclined to agree.

  • Mall was taken the day before this task was set, as I had to go to Blackpool and noticed this shot when getting off the train. I like the dramatic dark cloud reaching for the Mall and the light surrounding it highlighting the buildings and busy street below. A comment made was that it would be better it there were one or two people sat in the chairs on the platform, again it was over exposed and was changed by auto correct in Lightroom.
  • DSC_0050.JPG was taken off the cuff whilst trying to capture the bi-folding doors on the bus as it seems like a nostalgic thing to have. I'm happy that I did as I caught this lady walking through and now looking at it as an independent image I like the colours that make the space.

  • DSC_0057.JPG or Jubilee, I took as you see this scene all across the country, the reminisce of a great celebration. A lot happened this year, all eyes were on Britain and everyone wanted to celebrate, to show just how great we can be but when it comes to pulling down any decorations nobody whats to know. I don't feel that the point of the image gets across as the broken flag bunting is dwarfed by the old building but it is there to notice if you look hard enough.
  • Family cropped I took as the statue represents family and just behind it a modern family sits. I learnt later that there had been a big uproar about the mother in the statue not having a wedding ring. Yet it is common place and widely accepted that most mother are not married or even have the father in the picture. I like the lighting in this picture, a break in the clouds aloud the sun to cast a minimal shadow and highlight the forms of the figures in the picture connecting them together.

  • Pigeon cropped, for this I was looking at the composition through the square hole. It was shear chance that as I pressed the button a pigeon flew by and I was really impressed as that never happens to me and street photography can rely on that chance.

  • I noticed the composition of Queen Vic when we stopped for a break at the benches and I looked up at her. The branches framed her well and I though that I would include them in the shot and I'm glad that I did.

  • With Sky line I was going for the shape of the ramp to the square tower, the detail on the ramp and the sky. You could probably take this same photo in 20, 30, 50 years time and it would probably look exactly the same.

  • Stick man, (as it should be called)  I took as this elderly gentleman look quite discerning qualities. I don't know if it was the stick or the jacket and jeans but I liked the look of this man and the way he walked and carried himself. He looks quite calm, in the shadows heading for the hustle and bustle that lay before him in the bright light of day.

The picture I have chosen as my final image is Burial ground, the reason that I took this picture in the first place was that Wes and I were walking through the grounds and Wes had noticed this, he hasn’t been to Blackburn as much as I have and noticed this enough to call it out. I hadn’t, or had seen it and just dismissed it but when you read it, it shows how dramatically the culture has changed. You see sighs everywhere now about how places are a smoke free or an alcoholic drink free zone in public places.
Is it a case of a nanny culture or common courtesy, is this needed for a lack of common courtesy that everyone possesses, do we not have the common courtesy as we are being nannied?
Back in the day we probably didn't need to have all of these signs about at as it wouldn't have even been thought about to drink and do drugs on a burial ground. I also like the Bokeh effect that has happened in the trees due to the shallow depth of field. 

Research on Ian Berry
http://www.magnumphotos.com/C.aspx?VP3=SearchResult_VPage&VBID=2K1HZO85GKJ5M&SMLS=1&RW=1073&RH=604

This web site has some quite interesting images on it that tell the story of Blackburn with it 

Monday, 22 October 2012

Modernity and Modernism

In 1913 French writer Charles Péguy wrote …"the world has changed less since the time of Jesus Christ than it has in the last thirty years".

What kind of changes do you think he was referring to?


We talked about the Eiffel tower and it's impact on society, how this became a symbol of how nature was being over taken by industry.

The Eiffel Tower itself is to represent a person in time standing tall and to proclaim Paris as a metropolis, it was visible from all around the city for everyone to see what ever class you are which was important at the time.

It also offered an arial view of the city, which was a view only very few had seen, like Felix Nadar who had taken photographs from his hot air ballon.


So the Eiffel tower was a great leveller of people and offered a new perspective on the world around them.

This is the perspective people were subject to before the eyes were open to seeing the world from great heights and angles.
1854 painting of The Crystal Palace


Aundre Derain – In the mountains.
It was used this as a different way to represent space.

In the years after 1888 a great technological age came about with -

Cotton industry
Technology for home and work place
Flight
Transport
Movies were brought out
Secularisation
War
Photography
Lightbulb 1879
Kodak 1888

How do you think all of this technology effected painters?

It made them redundant and gave them the freedom to look into experimental and created “ism's” Fauvism, surrealism, impressionism ect

This new influx of technology meant that people would move away from from the country to the city and effected art. No longer were fields and farmer the popular subject as it changed to city scape's. Transportation was one factor in this as the scenes became fragmented ART IN THEORY BOOK QUOTE.

Fernand Léger, The Card Players, 1917


It looks industrial, fragmented, Mechanised, use of colours. 







Leger, Three Women (Le Grand Dejeuner), 1921


It's like clockwork, shading = industrial he finds it adaptable. 









Leger, Mechanical Elements, 1924



insert concept.












Filippo Tommaso Marinetti, ‘Manifesto of Futurism’, 1909

"We intend to sing the love of danger, the habit of energy and fearlessness.

We affirm that the world’s magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath – a roaring car that seems to run on shrapnel is more beautiful than the Victory of Samothrace.

For too long has Italy been a dealer in second-hand clothes. We mean to free her from the numberless museums that cover her like so many graveyards".

From Art in Theory, pp146-149.

Eadweard Muybridge photographs, 1880s

Muybridge photographs, 1870s











Giacomo Balla, Dynamism of a Dog on a Leash, 1912

Boccioni, Dynamism of a Cyclist, 1913

Umberto Boccioni, The City Rises, 1910




Georges Braque, Violin and Candlestick, 1910

Pablo Picasso, Le Torero, 1912







Metropolis directed by Fritz Lang, 1927






Jacob Epstein,  The Rock Drill, 1913/14



Wassily Kandinsky, Improvisation 19, 1911














Wassily Kandinsky, Concerning the Spiritual in Art, 1912

"When religion, science, and morality are shaken (the last by the mighty hand of Nietzsche), when the external supports threaten to collapse, then man’s gaze turns away from the external toward himself.

Literature, music, and art are the first and most sensitive realms where this spiritual change becomes noticeable in real form….they turn away from the soulless content of modern life, toward materials and environments that give a free hand to the nonmaterial strivings and searchings of the thirsty soul".

Extract from Art in Theory,  pp82-89, p87/l.1-12


Kandinsky, All Saints, 1911
















Reading for 22/10/12:

Georges Braque, ‘Thoughts on Painting’ (1917) in Art in Theory, pp.214 & 215

Pablo Picasso, ‘Picasso Speaks’ (1923) in Art in Theory, pp.215 – 217, p 217,l.23-36




Tuesday, 16 October 2012

Trip to Morecombe to work on Hyper focal distance


Silverdale at Jenny's point was the first place that we visited, it was quite blustery and hard to get to. It was worth it though, but a good place to stop an work on some Hyperfocal distance.






The Tombs of St. Patrick's was a fantastic place to visit, it's in Heysham down the coast from Morecambe at the remains of the old Chapel.